EditorialSaule Omarova, who withdrew her nomination for U.S. Comptroller of the Currency after the State Financial Officers Foundation called her a “radical extremist” over her comments about fossil fuel companies, on Capitol Hill in Washington, Nov. 18, 2021. (Sarahbeth Maney/The New York Times)
EditorialSaule Piktys paints an Oscar silhouette during preparations of the red carpet area ahead of the Academy Awards at the Dolby Theater in Los Angeles, March 25, 2022. (Noel West/The New York Times)
EditorialIllustrated page from 'The Desert of Religion'. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northern English. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northe...
EditorialIllustrated page from The Desert of Religion. Desert of Religion and other poems and religious pieces. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northern English. " Jesus Nazarenus ": verses (five couplet...
EditorialSaule Omarova, President Joe Biden’s nominee to head the Office of the Comptroller of the Currency, testifies during her a nomination hearing before the Senate Banking, Housing and Urban Affairs Committee at the Capitol in Washington, Nov. 18, 2021. (Sarahbeth Maney/The New York Times)
EditorialSaule Omarova, President Biden’s nominee to head the Office of the Comptroller of the Currency, testifies during her a nomination hearing before the Senate Banking, Housing and Urban Affairs Committee at the Capitol in Washington on Thursday, Nov. 18, 2021. (Sarahbeth Maney/The New York Times)
EditorialLa bardane au saule (Burdock with Willow). Dated: published 1849. Dimensions: plate: 14.1 x 11 cm (5 9/16 x 4 5/16 in.) sheet: 31.5 x 22.3 cm (12 3/8 x 8 3/4 in.). Medium: etching on chine coll.
EditorialIn a photo from the Senate Committee on Banking, Housing and Urban Affairs, Saule Omarova testifying before the committee, Sept. 18, 2018. (Senate Committee on Banking, Housing and Urban Affairs via The New York Times)
EditorialAnonymous, Saule Pleureur Imperiale with hidden silhouettes of Napoleon and his family, Anonymous, French, mid-19th century, Napol?on Bonaparte (French, Ajaccio 17691821 St. Helena), Empress Marie Louise of France (17911847), Napol?on II, King of Rome ...
EditorialLa bardane au saule (Burdock with Willow). Dated: published 1849. Dimensions: plate: 14.1 x 11 cm (5 9/16 x 4 5/16 in.) sheet: 31.5 x 22.3 cm (12 3/8 x 8 3/4 in.). Medium: etching on chine coll.
EditorialSaule pleureur, Giverny (Weeping willow, Giverny) Painted in Monet's garden at Giverny, when the painter had almost gone blind. Oil on canvas, 1920-1922 120 x 100 cm.
EditorialIllustrated page from 'The Desert of Religion'. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northern English. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northe...
EditorialIllustrated page from The Desert of Religion. Desert of Religion and other poems and religious pieces. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northern English. " Ecclesiastici duodecimo, Deum time," et...
EditorialLa bardane au saule (Burdock with Willow). Dated: published 1849. Dimensions: plate: 14.1 x 11 cm (5 9/16 x 4 5/16 in.) sheet: 31.5 x 22.3 cm (12 3/8 x 8 3/4 in.). Medium: etching on chine coll.
EditorialEnglish man in the fashion of August 1803. He wears a rabbit-ear cravat, green jacket, and Casimir breeches, and boots. He carries a stick and top hat. Cravate a oreilles de lievre, habit vert saule, culotte de casimir. Handcoloured illustration by Hor...
EditorialWillow-leaved marsh rose, Rosa palustris, Rosier d?Hudson ? feuilles de Saule. Handcoloured stipple copperplate engraving from Pierre Joseph Redoute's "Les Roses," Paris, 1828. Redoute was botanical artist to Marie Antoinette and Empress Josephine. He ...
EditorialSaule pleureur, Giverny (Weeping willow, Giverny) Painted in Monet's garden at Giverny, when the painter had almost gone blind. Oil on canvas, 1920-1922 120 x 100 cm.