EditorialFrom left, Hsiao-Jou Tang, Jennifer Payán and Leah Ives of the Trisha Brown Dance Company rehearse “Group Primary Accumulation” for the Beach Sessions at Rockaway Beach in New York, Aug. 15, 2022. (Angelo Silvio Vasta/The New York Times)
EditorialDaniel Maffei, chairman of the Federal Maritime Commission, at center with a blue jacket, talks to Lucille Marvin, maritime commission’s managing director, during a meeting with representatives of trucking companies in Port Newark, N.J., on Aug. 3, 2022. (Ashley Gilbertson/The New York Times)
EditorialTim Krumrie, a former nose tackle for the Cincinnati Bengals who sustained a grisly leg injury in the team?s last Super Bowl appearance, at his home in Maineville, Ohio, Feb. 5, 2022. (Maddie McGarvey/The New York Times)
EditorialConstruction equipment pushes salt into a salt dome at the Louisville Metro Department of Public Works Emergency Operations Command Center in Louisville, Ky., on Thursday, Feb. 3, 2022. (Jon Cherry/The New York Times)
EditorialIncreasingly, as people’s work routines have been upended by the pandemic, they’ve begun to question the thrum of unpleasantness and accumulation of indignities they used to shrug off as part of the office deal. Some are saying: no more working for jerks. (Nicolas Ortega/The New York Times)
Editorial?tag?re, mid-19th century, British, Black lacquered, painted and gilded wood and papier m?ch?, mother-of-pearl, 53 1/2 ? 25 ? 16 in. (135.9 ? 63.5 ? 40.6 cm), Woodwork-Furniture, The ?tag?re, also called a whatnot, became a popular form of furniture in...