EditorialClaude Duflos, Christ in the tomb, resting across the Virgin's lap; after Perugino, Claude Duflos (French, Coucy-le-Ch?teau 16651727 Paris), After Perugino (Pietro di Cristoforo Vannucci) (Italian, Citt? della Pieve, active by 1469died 1523 Fontignano)...
EditorialAfter Perugino (Pietro di Cristoforo Vannucci), Italian, c. 14501523, Mercury, 14661600, Metalpoint, brush and gray ink, heightened with white, on light grayish-brown prepared paper, Overall: 9 1/4 x 7 3/16 in. (23.5 x 18.3 cm).
EditorialPerugino (Pietro di Cristoforo Vannucci), Italian, c. 14501523, Kneeling Figure and Two Heads, 14561523, Metal point, heightened with white now oxidized to brown on white prepared paper, Overall: 8 11/16 x 5 3/8 in. (22 x 13.6 cm).
EditorialAfter Perugino (Pietro di Cristoforo Vannucci), Italian, c. 14501523, The Baptism of Christ, c. 148082, Metal point with touches of white heightening (oxidized to black) on grayish-white prepared paper, Overall: 11 1/4 x 7 5/8 in. (28.6 x 19.4 cm).
EditorialThe Regata Storica, which celebrates Venetian rowing with historical costumes and rowing races, in Venice, Sept. 1, 2019. (Clara Vannucci/The New York Times)
EditorialFrom left: cellists Andreas Brantelid and his father Ingemar Brantelid wear Brioni evening jackets while performing at the fashion house's 75th anniversary celebration during Pitti Uomo, the men's wear trade fair, in Florence, Italy, Jan. 7, 2020. (Clara Vannucci/The New York Times)
EditorialTwo Standing Draped Male Figures. Pietro di Cristoforo Vannucci, called Perugino, after; Italian, c. 1445-1523. Date: 1501-1600. Dimensions: 284 x 219 mm (max.). Pen and brush and brown ink, with lead white, on tan laid paper with light green wash. Ori...
EditorialNoli Me Tangere. Perugino (Pietro di Cristoforo Vannucci); Italian, 1445/46-1523. Date: 1500-1505. Dimensions: 27.3 x 46.3 cm (10 3/4 x 18 1/4 in.). Tempera on panel, transferred to canvas. Origin: Italy.
EditorialThe Baptism of Christ. Perugino (Pietro di Cristoforo Vannucci); Italian, 1445/46-1523. Date: 1500-1505. Dimensions: 27.3 x 46.4 cm (10 3/4 x 18 1/4 in.). Tempera on panel, transferred to canvas. Origin: Italy.
EditorialThe Resurrection, Tempera on wood, 10 5/8 x 18 in. (27 x 45.7 cm), Paintings, Perugino (Pietro di Cristoforo Vannucci) (Italian, Citt? della Pieve, active by 1469?died 1523 Fontignano), This exceptionally well-preserved picture and four others in the A...
EditorialTwo Standing Draped Male Figures. Pietro di Cristoforo Vannucci, called Perugino, after; Italian, c. 1445-1523. Date: 1501-1600. Dimensions: 284 x 219 mm (max.). Pen and brush and brown ink, with lead white, on tan laid paper with light green wash. Ori...
EditorialNoli Me Tangere. Perugino (Pietro di Cristoforo Vannucci); Italian, 1445/46-1523. Date: 1500-1505. Dimensions: 27.3 x 46.3 cm (10 3/4 x 18 1/4 in.). Tempera on panel, transferred to canvas. Origin: Italy.
EditorialThe Baptism of Christ. Perugino (Pietro di Cristoforo Vannucci); Italian, 1445/46-1523. Date: 1500-1505. Dimensions: 27.3 x 46.4 cm (10 3/4 x 18 1/4 in.). Tempera on panel, transferred to canvas. Origin: Italy.
EditorialPietro Perugino (1446/1450?1523), born Pietro Vannucci. Italian Renaissance painter of the Umbrian school. High Renaissance. The Virgin appearing to St. Bernard. Altarpiece for the church of Santa Maria Maddalena dei Pazzi in Florence. c. 1490-1494. O...
EditorialNoli Me Tangere. Perugino (Pietro di Cristoforo Vannucci); Italian, 1445/46-1523. Date: 1500-1505. Dimensions: 27.3 x 46.3 cm (10 3/4 x 18 1/4 in.). Tempera on panel, transferred to canvas. Origin: Italy.
EditorialThe Baptism of Christ. Perugino (Pietro di Cristoforo Vannucci); Italian, 1445/46-1523. Date: 1500-1505. Dimensions: 27.3 x 46.4 cm (10 3/4 x 18 1/4 in.). Tempera on panel, transferred to canvas. Origin: Italy.
EditorialTwo Standing Draped Male Figures. Pietro di Cristoforo Vannucci, called Perugino, after; Italian, c. 1445-1523. Date: 1501-1600. Dimensions: 284 x 219 mm (max.). Pen and brush and brown ink, with lead white, on tan laid paper with light green wash. Ori...
EditorialPietro Perugino (1446/1450?1523), born Pietro Vannucci. Italian Renaissance painter of the Umbrian school. High Renaissance. The Virgin appearing to St. Bernard. Altarpiece for the church of Santa Maria Maddalena dei Pazzi in Florence. c. 1490-1494. O...
EditorialTwo Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso).
EditorialGroup of Warriors Standing, late 15th?early 16th century, Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper., 9 13/16 x 6 5/16 in. (24.9 x 16.1 cm), Drawings, Circle of Perugino (Pietro...
EditorialTwo Figures of Angels Standing, 1490?1505, Pen and brown ink, over leadpoint(?), 8 3/4 x 5 5/8 in. (22.2 x 14.3 cm), Drawings, Workshop of Perugino (Pietro di Cristoforo Vannucci) (Italian, Citt? della Pieve, active by 1469?died 1523 Fontignano) ?.
EditorialStudy of the Head of a Youth Gazing Upward, late 15th?early 16th century, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink., 8 7/8 x 5 15/16 in. (22.6 x 15.1 cm), Drawings, Workshop of Perugino (Pietro di Cr...
EditorialThe Resurrection, Tempera on wood, 10 5/8 x 18 in. (27 x 45.7 cm), Paintings, Perugino (Pietro di Cristoforo Vannucci) (Italian, Citt? della Pieve, active by 1469?died 1523 Fontignano), This exceptionally well-preserved picture and four others in the A...
EditorialPietro Perugino (1446/1450?1523), born Pietro Vannucci. Italian Renaissance painter of the Umbrian school. High Renaissance. The Virgin appearing to St. Bernard. Altarpiece for the church of Santa Maria Maddalena dei Pazzi in Florence. c. 1490-1494. O...