EditorialThe Strickland Brooch, Anglo-Saxon, mid-9th century. Plain gold panels enrich a lively pattern of dog-like animals with collars, deeply carved to form an openwork effect. The quatrefoil is divided by animal heads and raised bosses. The arms of the cent...
EditorialNova empresa de Teatre Catala (Romea). En el medall?n: Adri? Gual, director art?stico. En el grupo: Enrich Jim?nez, director de la compa??a, leyendo una obra a la compa??a de actores. Institut del Teatre de Barcelona.
EditorialThe entrance to Concord Management’s office in Tarrytown, N.Y. Concord does not have a website and keeps a low profile. (David Enrich/The New York Times)
EditorialA QR code Haggadah, the text read during the Passover Seder, is displayed on a phone in Brooklyn on April 10, 2022. (Elizabeth D. Herman/The New York Times)
EditorialRudy Giuliani, a lawyer for then President Donald Trump who pushed to overturn the election results, announces in Philadelphia on Nov. 4, 2020, that the Trump campaign will be filing lawsuits in Pennsylvania. (Gabriela Bhaskar/The New York Times)
EditorialPianist Daniil Trifonov performs Scriabin with the New York Philharmonic at David Geffen Hall in Manhattan Nov. 27, 2019. (Caitlin Ochs/The New York Times)
EditorialThe Strickland Brooch, Anglo-Saxon, mid-9th century. Plain gold panels enrich a lively pattern of dog-like animals with collars, deeply carved to form an openwork effect. The quatrefoil is divided by animal heads and raised bosses. The arms of the cent...
EditorialThe Strickland Brooch, Anglo-Saxon, mid-9th century. Plain gold panels enrich a lively pattern of dog-like animals with collars, deeply carved to form an openwork effect. The quatrefoil is divided by animal heads and raised bosses. The arms of the cent...