EditorialPREMIUM EXCLUSIVE: *NO WEB UNTIL 1PM EDT 16TH AUG* Demi Moore is chic in a high-waisted black swimsuit as she continues her Greek vacation with pet pooch Pilaf
EditorialFire horn of gilt bronze in the form of a lying lion on a base, Gilded bronze fire buck, consisting of a lying lion on a base. The head bears broad modeled moons and the mouth is slightly opened. The tail runs with a curl under a leg and ends at the ba...
EditorialA cyclist on the West Maui Loop, near Honolua Bay, Hawaii, on May 12, 2022. On Maui and Lanai, roads heave up hillsides, curl around cliffs and sail above thundering bays. Terrifying in a car. No sweat on an electric bike. (Daejas Fallas/The New York Times)
EditorialModel of a 12-Gun Brig, Testified block model. Twelve pieces and fourteen gates, two continuous decks and a superstructure with access below deck. The figurehead is a Roman soldier with shield, lance and sword, the ditch knees are decorated with painte...
Editorialplaner, Anonymous, 18th century, carved, General: 8.8 x 19 x 5.3cm (88 x 190 x 53mm), Planer cut from wood. The planer is of the forerunner type and is gracefully cut with an upward curling curl. From the curl, the wood rises to run back down again. A ...
EditorialPaul Huntley working with Glenn Close for the musical “Sunset Boulevard” at the Minskoff Theater on Broadway in New York on Jan. 4, 1995. He created the hair and wigs for more than 200 shows, including “The Elephant Man,” “Chicago” and “Cats.” Paul Huntley, the hair stylist and wig designer who gave Carol Channing her expansive bouffant in “Hello, Dolly!,” Alan Cumming his plastered curl in “Cabaret” and Sutton Foster her golden bob in “Anything Goes,” died on Friday, July 13, 2021 in London. He was 88. His death was confirmed by a friend, Liz Carboni, who said he had been hospitalized for a lung infection. (Sara Krulwich/The New York Times)
EditorialPaul Huntley working with Glenn Close for the musical “Sunset Boulevard” at the Minskoff Theater on Broadway in New York on Jan. 4, 1995. He created the hair and wigs for more than 200 shows, including “The Elephant Man,” “Chicago” and “Cats.” Paul Huntley, the hair stylist and wig designer who gave Carol Channing her expansive bouffant in “Hello, Dolly!,” Alan Cumming his plastered curl in “Cabaret” and Sutton Foster her golden bob in “Anything Goes,” died on Friday, July 13, 2021 in London. He was 88. His death was confirmed by a friend, Liz Carboni, who said he had been hospitalized for a lung infection. (Sara Krulwich/The New York Times)
EditorialPaul Huntley working with Glenn Close for the musical “Sunset Boulevard” at the Minskoff Theater on Broadway in New York on Jan. 4, 1995. He created the hair and wigs for more than 200 shows, including “The Elephant Man,” “Chicago” and “Cats.” Paul Huntley, the hair stylist and wig designer who gave Carol Channing her expansive bouffant in “Hello, Dolly!,” Alan Cumming his plastered curl in “Cabaret” and Sutton Foster her golden bob in “Anything Goes,” died on Friday, July 13, 2021 in London. He was 88. His death was confirmed by a friend, Liz Carboni, who said he had been hospitalized for a lung infection. (Sara Krulwich/The New York Times)
EditorialPaul Huntley working with Glenn Close for the musical “Sunset Boulevard” at the Minskoff Theater on Broadway in New York on Jan. 4, 1995. He created the hair and wigs for more than 200 shows, including “The Elephant Man,” “Chicago” and “Cats.” Paul Huntley, the hair stylist and wig designer who gave Carol Channing her expansive bouffant in “Hello, Dolly!,” Alan Cumming his plastered curl in “Cabaret” and Sutton Foster her golden bob in “Anything Goes,” died on Friday, July 13, 2021 in London. He was 88. His death was confirmed by a friend, Liz Carboni, who said he had been hospitalized for a lung infection. (Sara Krulwich/The New York Times)
EditorialJean Toussaint, 1803, General: 26 x 15.3 x 2.7cm (260 x 153 x 27mm), flower, Purse bracket, consisting of a silver semi-curved bracket with a suspension mechanism. On the front there is a facet cut button and the front is double brace-shaped. Inside is...
Editorialsilversmith in Rotterdam, between 1802-1815, General: 16.5 x 16.8 x 3cm (165 x 168 x 30mm), flower, Purse of a purse, consisting of a silver semi-curved brace of the Rotterdam type. On the front there is a facet cut button and the front is double brace...
Editorialsilversmith in Rotterdam, between 1802-1815, General: 16.5 x 16.8 x 3cm (165 x 168 x 30mm), flower, Purse of a purse, consisting of a silver semi-curved brace of the Rotterdam type. On the front there is a facet cut button and the front is double brace...
EditorialFragment, Medium: linen Technique: cutwork, Fragment of punto tagliato with embroidered designs in satin and curl stitches with tiny reticella squares. Central section has a reticella cross with lilies., Italy, 16th century, lace, Fragment.
EditorialAnonymous, 17th century, ebony, iron, oak wood, inlaid, General: 78 x 172 x 79cm 780 x 1720 x 790mm, Oak ball foot table, arranged to function as a display case base. The legs are thick and vase-shaped in the middle and have a cubic block at the bottom...
Editorialtile field, Anonymous, first half 17th century, tin glaze, earthenware, With frame: 13.2 x 26 x 2.9cm (132 x 260 x 29mm), Tile: 13 x 13 x 1.3cm (130 x 130 x 13mm), bear, wolf, northern netherlands, Tile field of two tiles (one by two) of earthenware co...