EditorialTwo anthropomorphic vessels: strainer jug and a flask with a cup mouth. Pottery burnished red, decorated with black paint from Israel (around 1800 BCE) Middle Bronze Age The Dayan Collection.
EditorialCup with Profile Head of the Maize God. Olmec; Possibly Tlapacoya, Valley of Mexico, Mexico. Date: 800 BC-400 BC. Dimensions: 9.8 ? 9.8 cm (3 7/8 ? 3 7/8 in.). Ceramic with burnished slip. Origin: Valley of Mexico.
EditorialThe Big Rock. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1810. Dimensions: 171 x 282 mm (plate); 321 x 446 mm (sheet). Etching and burnished aquatint on laid paper. Origin: Spain.
EditorialFrancisco Goya, Spanish, 1746-1828, The Unlucky Death of Pepe Illo in the Ring at Madrid, 1816, etching, burnished aquatint, drypoint, and burin printed in brown ink on laid paper, Plate: 9 3/4 ? 13 7/8 inches (24.8 ? 35.2 cm).
EditorialTemeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa). Dated: in or before 1816. Medium: etching, burnished aquatint and drypoint [first edition impression]. francisco de goya. FRANCISCO DE GOYA (1746-1828).
EditorialWhat is this Hubbub?, plate 65 from The Disasters of War, 1815/20, published 1863, Francisco Jos? de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and/or lavis, burin and burnishing on ivory wove paper with gilt edges, 144 x ...
EditorialThis is How it Happened, plate 47 from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 138 x 187 mm (image); 152 x 205 mm (plate); 240 x 340 mm (sheet). Etching, burnished lavis, drypoint and b...
EditorialStrange Devotion!, plate 66 from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1815-1820. Dimensions: 150 x 194 mm (image); 175 x 220 mm (plate); 240 x 338 mm (sheet). Etching and burnished aquatint or lavis on ivo...
EditorialThey Don't Like it, plate nine from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1815. Dimensions: 140 x 196 mm (image); 153 x 206 mm (plate); 240 x 339 mm (sheet). Etching, burnished aquatint, and drypoint o...
EditorialMay the cord break, plate 77 from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1815-1820. Dimensions: 153 x 195 mm (image); 173 x 218 mm (plate); 240 x 340 mm (sheet). Etching, burnished aquatint or lavis, and dry...
EditorialThe Women Give Courage, plate four from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1809-1815. Dimensions: 136 x 185 mm (image); 153 x 205 mm (plate); 240 x 337 mm (sheet). Etching, burnished aquatint, drypoint, ...
EditorialNothing. The Event Will Tell, plate 69 from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1820. Dimensions: 144 x 197 mm (image); 153 x 200 mm (plate); 240 x 338 mm (sheet). Etching, burnished aquatint, lavis,...
EditorialBanderillas de fuego (Banderillas with Firecrackers). Dated: in or before 1816. Medium: etching, burnished aquatint, lavis, drypoint and burin [first edition impression].
EditorialOtro modo de cazar a pie (Another Way of Hunting on Foot). Dated: in or before 1816. Medium: etching, burnished aquatint, drypoint and burin [first edition impression].
EditorialThe Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 202 x 309 mm (image); 245 x 352 mm (plate); 32...
EditorialGod creates them and they join up together, plate 18 from Los Proverbios. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1815-1824. Dimensions: 210 x 320 mm (image); 246 x 356 mm (plate); 355 x 484 mm (sheet). Etching, burnished aquatint...
EditorialOn the Waves of Love. Edvard Munch (Norwegian, 1863-1944); printed by Otto Felsing (German, born 1854). Date: 1896. Dimensions: 221 x 290 mm (plate); 348 x 508 mm (sheet). Burnished aquatint and drypoint on heavy wove, cream paper. Origin: Norway.
EditorialCup with Profile Head of the Maize God. Olmec; Possibly Tlapacoya, Valley of Mexico, Mexico. Date: 800 BC-400 BC. Dimensions: 9.8 ? 9.8 cm (3 7/8 ? 3 7/8 in.). Ceramic with burnished slip. Origin: Valley of Mexico.
EditorialPlate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead'' (Muertos recogidos.), 1811?12 (published 1863), Etching and burnished aquatint, Plate: 5 7/8 ? 8 1/16 in. (15 ? 20.5 cm), Prints, Goya (Francisco de Goya y Lucien...
EditorialBritish, 'Carlo Maratta' frame, Perhaps Thomas Vialls, 17191781, British, 3rd quarter of 18th century, Carved wood, original matt and burnished water gilding.
EditorialContinental Europe, Louis XV frame, Unknown framemaker, 2nd and 3rd quarters of 18th century, Carved wood, original matt and burnished water gilding.
EditorialBritish, 'Carlo Maratta' frame, attributed to Thomas Allwood, ca. 1750ca.1800, British, 4th quarter of 18th century, Carved wood, original matt and burnished water gilding, and oil gilding.
EditorialOrigin of the harpoons or banderillas, plate 7 of 'The Art of Bullfighting' - 1815/16 - 24,7x35,7 cm - etching, burnished aquatint and drypoint.
EditorialAnother madness of his in the same ring, plate 19 of 'The Art of Bullfighting' - 1815-16 - 24,7x35,5 cm - etching, burnished aquatint, drypoint and burin. FRANCISCO DE GOYA. MARTINCHO BASSON FRANCISCO. BASSON FRANCISCO ANTONIO.
EditorialA Marmot with a Branch of Plums. Dated: 1605. Dimensions: sheet: 33 x 42.3 cm (13 x 16 5/8 in.) (paper edge slightly covered by the old mount). Medium: brush with brown and black wash, point of the brush with black and brown ink and white gouache, and ...